STEVEN ASCHER is an Academy-Award nominated
director, producer, writer and
educator. The Boston Globe has called his work "filmmaking at its
finest."
Troublesome Creek: a Midwestern (co-directed with Jeanne Jordan)
won the Grand
Jury Prize and Audience Award at Sundance, was nominated for an Oscar and received many other awards. It was released theatrically and broadcast on PBS The American Experience, the BBC premier documentary strand Storyville, ZDF Germany
and many others.
Ascher and Jordan's feature documentary, So Much So Fast premiered at Sundance, was released theatrically to critical acclaim, and
has been
broadcast on PBS FRONTLINE, BBC Storyville, ZDF Germany,
and many
other networks around the world.
Among his awards are the Prix Italia, a Peabody award, an International
Documentary Association Distinguished Achievement Award and he was nominated
for a Directors Guild of America Award. He received the Michael DeBakey Journalism Award and an Insight Award from the National Association of Film and Digital Media Artists.
He is author of The Filmmaker's Handbook: a Comprehensive Guide
for the Digital Age (with Ed Pincus) a bestselling text and a staple of
universities and film schools internationally.The Independent calls it "the bible." The Boston Globe calls it the "gold-standard technical reference." Ascher has written a
greatly expanded third edition, published in
September 2007. Ascher produced, wrote and directed the drama, Del & Alex, starring Thomas Derrah and Polly Corman (broadcast
on A&E and many European networks). He co-directed Life and Other Anxieties which was chosen
for
the Whitney New American Filmmakers series. He has produced and directed several pieces for PBS Newshour, pieces for the PBS series Art Close Up, which won and were nominated for Emmys, and an episode of the
Emmy-nominated Postcards From Buster.
He has written and directed TV spots and image, training and marketing pieces
for major corporations, government agencies and nonprofits
including Cisco Systems, Health Dialog, McGraw Hill,
Biogen, the Texas Rangers and the IRS. Recognition includes a Telly Award, the Brandon Hall
Gold Medal and the Gold Remi from Worldfest Houston.
He has produced and directed installations for museums and institutions around the
world including the Australian National Maritime Museum,
Science City and traveling
exhibits for the U.S. Information Agency.
Awards include the Interactive
Video Award of Excellence. He graduated from Harvard University
with highest honors, and has taught filmmaking at Harvard and at MIT. He has lectured and held master
classes
in many countries, including Tokyo University, VGIK national film school in Moscow, the CPB/PBS Producers Academy
and the Aristoteles Workshop in Romania sponsored by the European network Arte. He has served as a juror at Sundance, the Independent Film Festival Boston, the
National Student Film Festival and
other festivals.
He has received grants from the
Artists Foundation, the LEF Foundation,
the Paul Robeson Foundation and many state humanities and arts councils.
His films have screened at numerous festivals internationally, including the Sydney
Film Festival (Audience Award
Winner), San Francisco Film Festival (Audience
Award Winner) and
they are in the permanent collections of the Museum
of Modern Art, the Library of Congress, Harvard Film Archive and UCLA.
Ascher's writing on film has appeared in publications
such as
Documentary Magazine, the U.S. Department of State's eJournalUSA,
and the book, The Film Industry: Opposing Viewpoints. He contributed
to Honest Truths: Documentary Filmmakers on Ethical Challenges in Their Work.
Writing on Ascher's work has appeared in numerous publications including The New York Times, The New Yorker, The Boston Globe, Variety, Ecran Total and books including Documentary Storytelling by Sheila Curren Bernard.
Interviews and discussions can be found at The Washington Post,
Indiewire and PBS. |